Venice 2023, for every star her red dress. All the looks (and our votes) of the seventh evening

A certain consistency must be recognized. Georgina Rodríguez is invited to Venice Film Festival 2023, and she comes up with the beautiful and original idea of ​​(dis)dressing as a cult character from an equally cult film. What better context, one might say.

Because it’s not a simple allusion or a vague echo: the red dress in which the actress, model and showgirl slipped to attend the screening of the film Aeneasdirected by Pietro Castellitto (especially paired with a pair of long white gloves) is a clear homage to the one worn by Julia Vivian Roberts in the eternal and timeless Pretty Woman. In the memorable scene, if it were ever necessary to specify it, of his first evening at the opera, alongside – let’s call him that – Prince Charming Richard Gere. Where the word “homage” can be replaced with “remake” with complete peace of mind.

Georgina Rodriguez (Photo by Daniele Venturelli/WireImage).

Daniele Venturelli

pretty woman.

But if Georgina deserves the flash of genius of having chosen this very dress for an occasion of such wide and tempting visibility, the brand vetements instead it belongs to having created it: a gimmick that we would now like to be replicated with all the great classics of the seventh art. Because, after all, let’s face it: better a beautiful dress, even if “copied” from a very recognizable cult of the past, rather than a brand new and very original one, but so-so.

Venice 2023: Kasia, the tie and all the looks (and our votes) on the red carpet

Great revival of a (until now) menswear classic on the red carpet of Priscilla, by the (there’s no doubt about it) the chicest of Italian actresses, Kasia Smutniak. Fascinate even covered from head to toe. Neck included

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And we are certainly not referring, to avoid any misunderstanding, to the other red dress that dominated the red carpet of the seventh evening of Venice 2023i.e. the signed one Prada Of Blessed Porcaroli: both old school the first and contemporary the second; both hyper-feminine the former and conceptual the latter. The former is as sensual as the latter is rigorous and essential. Better one or the other? To each his own, that’s not the question. Beauty is, once again, variety, difference, the possibility of being (and wearing) what most corresponds to us.

All the looks on the red carpet of the seventh evening of the 80th Venice Film Festivalbelow.

Benedetta Porcaroli in Prada

Can platformers be forgiven? The answer is yes, they can be forgiven.
Vote: 7+

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Franco Origlia/Getty Images

Georgina Rodriguez in Vetements

After all, it was a game. And then let’s play.
Vote: 7

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Stephane Cardinale – Corbis/Getty Images

Caterina Murino in Alberta Ferretti

This is what one would call a “substantial” fabric.
Vote: 6++

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Pascal Le Segretain/Getty Images

Pietro Castellitto at Dior

Double breasted, one button.
Vote: 8

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Daniele Venturelli

Matthew Branciamore

Will the wind compromise the fit?
Vote: 6-

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Daniele Venturelli

Anna Falchi

The cracks don’t even count anymore.
Vote: 5

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Kristy Sparow

Nieves Alvarez in Pronovias

Jewel effect almost everywhere.
Vote: 6—

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GABRIEL BOUYS/Getty Images

Maya Malnar

Soft as a swiffer.
Vote: 5

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Daniele Venturelli

Francis Panarella

The buttons combined with the rings are for particularly refined palates.
Vote: 5

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Kristy Sparow

Enzo Miccio

Out of competition.
Vote: 7

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Vittorio Zunino Celotto/Getty Images

Martina Strazzer

The thin line naked.
Vote: 6/7

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Daniele Venturelli

Daniel Oscar Spada

Lace or feathers? But why choose?
Vote: 6–

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Daniele Venturelli

Aliia Roza

Sparkling cum iudicio.
Vote: 6

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Pascal Le Segretain/Getty Images

Antonella Salvucci

Save yourself who can.
Vote: 5

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Kristy Sparow

Polina Nioly Pushkareva

The dying swan burlesque version.
Vote: 5

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Pascal Le Segretain/Getty Images

Lucia Borgonzoni in Alberta Ferretti

Now explain the black shoes to me, you who are good.
Vote: 5

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Kristy Sparow

Luca Gervasi

Obviously he can do it.
Vote: 8

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Daniele Venturelli

Gintabiku

Pass the silver. But let’s not let the white interior go through as well.
Vote: 5

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Kristy Sparow

Nina Pons at Fendi

Three looks in one.
Vote: 6

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Kristy Sparow

Sergio Castellitto in Giorgio Armani and Margareth Mazzantini

That class that shuns perfection.
Vote: 6 1/2

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Vittorio Zunino Celotto/Getty Images

Clare Noschese

Very iridescent.
Vote: 6-

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Daniele Venturelli

Giorgio Quarzo Guarascio (All Phenomena) in Giorgio Armani

More than a high waist. The collar is very high now.
Vote: 6+

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Vittorio Zunino Celotto/Getty Images

Ariadna Gutiérrez

The usual crossroads.
Vote: 6-

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Daniele Venturelli

Carlotta Rubaltelli Avanzini

Pink roses for you, I bought tonight!
Vote: 6–

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Daniele Venturelli

Nesrin Sanad

Sobriety made of sequins.
Vote: 5

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Daniele Venturelli

Agnieszka Holland

Chic.
Vote: 7

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Vittorio Zunino Celotto/Getty Images

Dalia Naous

The accessories, these strangers.
Vote: 5

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Vittorio Zunino Celotto/Getty Images

Maja Ostaszewska

Two-tone shoulder bag. I don’t know if it works.
Vote: 5

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Vittorio Zunino Celotto/Getty Images

Magda Swider

Smurfette.
Vote: 4

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Daniele Venturelli

Jack Huston

We also like the turned up collar, and we don’t know why.
Vote: 6+

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Kate Green/Getty Images

Benedetta Porcaroli in Prada

Take, and copy all of them.
Vote: 8

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Daniele Venturelli

Peter Castellitto

Always right, always calibrated.
Vote: 7

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Daniele Venturelli

Clare Noschese

The bike parked in the second row.
Vote: 5

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Kate Green/Getty Images

Sergio Castellitto

That the belt is – at least – functional.
Vote: 5/6

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Daniele Venturelli

Matthew Branciamore

Many perplexities.
Vote: 5

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Kate Green/Getty Images

Agnieszka Holland

Adorable.
Vote: 7

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Victor Boyko/Getty Images

Behi Djanati Atai

Between the curls and the lace, my eyesight goes together.
Vote: 5

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Victor Boyko/Getty Images

Mirai Moriyama

I would copy everything.
Vote: 8

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Victor Boyko/Getty Images

Maya de Vicq

You don’t take it to the laundry. She deletes it.
Vote: 6 1/2

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Victor Boyko/Getty Images

Eduardo Samara

How do you get inside?
Vote: 5

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Victor Boyko/Getty Images

Source: Vanity Fair

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